|
Jazz and Cabaret Reviews
By Dr. Roberta E. Zlokower
April 30, 2003
Barbara Carroll
with
Mickey Roker and Jay Leonhart
at
Birdland
315 West 44th Street, NYC
212.581.3080
www.birdlandjazz.com
Gianni Valenti, Owner
Andy Kaufman, Business Manager
Tarik Osman, Manager
| Barbara Carroll at Leisure |

|
| Photo by Roberta Zlokower |
Many years ago, I heard Barbara Carroll on solo piano, in another venue, Bemelmans Bar, on the East Side. At Birdland,
a much larger space, with a full restaurant and large bar, she brought along Mickey Roker on drums and Jay Leonhart on bass.
Mr. Leonhart had performed in the Fall Django Reinhardt Festival at Birdland, and is a well-known bassist. I may have the titles of some of these songs slightly incorrect, as they are usually not
announced, but just crooned. Ms. Carroll sings in a whispery, romantic style, and, It Might As Well Be Spring is soft
and smooth, with brushed drums and an evocative and warm bass. Then, Mr. Leonhart led the theme, with bass and piano backup,
followed by Ms. Carroll, with just right-hand playing, mainly on the higher notes, in preparation for Mr. Leonhart's perfect
finish. In Look at Him, Ms. Carroll was in full control of a wide range of notes, switching keys mid-word. I could
have danced a slow Foxtrot or two-Step to this piece, with the right man. This was the ambiance for dream-makers. Wait
Till You See Him was even softer and very effective. A Gershwin melody followed, perhaps entitled, Man of My Heart,
with no vocals, just piano.
Ms. Carroll's style is less jazzy than typical jazz or Brazilian-styled piano, such as Van Gierig, and less dissonant and edgy than Toshiko Akiyoshi. It is nurturing and soothing, with Mr. Roker providing the mood and sound of wind chimes or rustling leaves with his
seasoned percussion. Some Fun Out of Life, however, was performed in a bouncy, jazzy mood with scat vocals and dynamic
backup. For a while, Ms. Carroll let Mr. Roker carry the theme on drums, as they had fun with this Billy Holiday tune. Mood
Indigo, on soft, solo piano, cried for another slow Foxtrot. A Cha-Cha inspired piece was next, with Mr. Roker tapping
the sides of his drums for clave rhythm, before the trio took it to a jazzier, more progressive level. I'm Just Fooling
Myself, for me, a Quickstep, was jazzy, strong, with a piano lead and a well-rehearsed bass and drums. In fact, Mr. Roker
and Mr. Leonhart had their gazes transfixed onto Ms. Carroll, throughout this second set.
Body and Soul, mostly on piano, with an occasional bass lead, as Mr. Leonhart changes octaves, mid-theme, and also uses
his bow to full effect, was a marvelous interpretation of an old standard. While listening to the final piece, I'm Old
Fashioned, which was sung in scat, I imagined Fred Astaire and Ginger Rogers on the filmed backdrop of the New York City
Ballet performance to this same song. Barbara Carroll and her Trio frequently appear at Birdland, and you should check the Birdland Website for details. Plan to be transported to a romantic, genteel state of mind.
| Barbara Carroll and Friend |

|
| Photo by Roberta Zlokower |
| Barbara Carroll and Friend |

|
| Photo by Roberta Zlokower |
| Mickey Roker and Jay Leonhart |

|
| Photo by Roberta Zlokower |
| Erika |

|
| Photo by Roberta Zlokower |
| Ellen and Dave |

|
| Photo by Roberta Zlokower |
| Jay Leonhart on Bass |

|
| Photo by Roberta Zlokower |
| Barbara Carroll on Piano |

|
| Photo by Roberta Zlokower |
| Mickey Roker on Drums |

|
| Photo by Roberta Zlokower |
| Tarik Osman and Barbara Carroll |

|
| Photo by Roberta Zlokower |
|