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Music Performance Reviews
By Dr. Roberta E. Zlokower
Thomas Tirino
Performing
The Latin Lover
At
The Spanish Institute
(www.spanishinstitute.org)
684 Park Avenue at 68th Street
NY, NY
May 1, 2002
| Thomas Tirino on Piano |

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| Photo by Roberta Zlokower |
Thomas Tirino is a leading authority of Ernesto Lecuona, a Cuban composer. Mr. Tirino has researched Lecuona's manuscripts
and archives for many years to create a repertoire of his works for his own concerts. In 1995, Mr. Tirino participated in
the Lecuona Festival in Havana, a televised performance. He has recorded a five CD series of the complete piano works of
Lecuona on BIS label and has presented concerts in Moscow, St. Petersburg, Minsk, Tokyo, and Lincoln Center. Mr. Tirino is
now recording music of Latin America and Spain. (Spanish Institute Notes).
The Program follows: Zambra Gitana, Ante El Escorial (Lecuona), Andaluza (de Falla), Quéjas, ó la Maja
y el Ruiseñor (Granados), Danza Ibérica (Nín), Brejeiro, Vem Cá, Branquinha (Nazareth), Suite
Andalucia, Córdoba, Andaluza, Alhambra, Gitanerías, Guadalquivír, and Malagueña (Lecuona).
Thomas Tirino played evocatively and romantically, with spring-like marching melodies, toward the beginning of the program,
in a clean, crisp, and polished manner. He evoked the music that matched the elegant tapestries, crystal chandeliers, and
the classically formed fireplace of the sumptuous Spanish Institute concert room. One could enjoy the azaleas in bloom, outside
the large window, that adorn Park Avenue, while listening to and immersing in this most melodic and, at times, dynamic performance.
The first Lecuona piece was thematic, as if a love story was evolving in our midst. The Andaluza exuded a strong
Spanish influence with endless notes and everlasting moods. The Granados piece sounded like a ballet, with long, swirling,
chiffony gowns, with perhaps the sea as a backdrop. Tirino highlighted the strong contrasts with several surprises.
Danza Ibérica was Flamenco-inspired, in the Pilar Rioja style. Tirino played this piece with closed eyes, swooning to the melody, as if envisioning, within his mind, an untamed Flamenco
performance that inspired his musicality. Nazareth's music also seemed to evoke thoughts of ballet, with staccato, skipping
rhythms that were reminiscent of NYC Ballet's Mercurial Manoeuvres. Lecuona's music seemed Tango- and Samba-inspired, with Argentinean and Brazilian undertones. These pure melodies could
easily have been vocalized. Several encores followed.
Thomas Tirino has a tender, oft tenacious, mastery of his keyboard. His concerts and CD's would be worth pursuing. I
also recommend The Spanish Institute's special events and concerts, as this is a magnificent setting for a lovely spring evening,
or for any season, for that matter. The ambiance of the concert room, as well as the wine reception on the terrace, was wonderful.
| Dr. Henri Delbeau and Thomas Tirino |

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| Photo by Roberta Zlokower - Click picture for Review, Dr. Henri Delbeau at Faust Harrison Studio |
| Dr. Henri Delbeau and Guests |

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| Photo by Roberta Zlokower |
| Thomas Tirino and Guests |

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| Photo by Roberta Zlokower |
| Henri and Roberta |

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| Photo by Roberta Zlokower |
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